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Fall/Winter 2024
Parallel Perspectives
p. 2
By Joan Marter and Aliza Edelman
Portraits, Issues and Insights
p. 3
Dolls, Masks, and Witches: Kati Horna’s Alechmical Photography
By Julia Skelly
p. 14
More Than El Tendedero: A Reckoning of Mónica Mayer’s Half-Century in a Hurricane
By Bárbara Tyner
p. 25
Helen Chadwick’s Of Mutability: Visual Pleasure and Goddess Imagery in British and American Feminist Art and Theory of the 1970s and 1980s
By Tamara Trodd
p. 37
Interplay: Libbie Mark’s Collage Paintings and Women Artists’ Networks
By Jillian Russo
Reviews
p. 47
Woven Histories: Textiles and Modern Abstraction
Edited by Lynne Cooke
Reviewed by Em Kapp
p. 50
Women Painting Women
Edited by Andrea Karnes
Reviewed by Gabrielle Stecher
p. 53
Water Talks: Empowering Communities to Know, Restore, and Preserve Their Waters
By Betsy Damon;
Stuff: Instead of a Memoir
By Lucy R. Lippard
Reviewed by Sally Jane Brown
p. 55
Open Questions: Thirty Years of Writing About Art
By Helen Molesworth, edited by Donna Wingate
Reviewed by Julia Alting
p. 58
Picturing the Woman-Child: Fashion, Feminism, and the Female Gaze
By Morna Laing
Reviewed by Debbie McCarthy
p. 60
Women Photographers and Mexican Modernity: Framing the Twentieth Century
Edited by Julia R. Brown, Radmila Stefkova, and Tamara R. Williams
Reviewed by Julia Skelly
p. 65
Just Above Midtown: Changing Spaces
Edited by Thomas (T.) Jean Lax and Lilia Rocio Taboada, in collaboration with Linda Goode Bryant
Reviewed by Funda Karayel
p. 66
A Model Workshop: Margaret Lowengrund and The Contemporaries
Edited by Lauren Rosenblum and Christina Weyl
Reviewed by Michelle Donnelly
p. 69
Marie Laurencin: Sapphic Paris
Edited by Simonetta Fraquelli and Cindy Kang
Reviewed by Lily F. Scott
Color Plates