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- Woman's Art Journal Volume 43, Number 1
Product Description
Spring/Summer 2022
p. 2
Parallel Perspectives
By Joan Marter and Aliza Edelman
p. 3-40
Portraits, Issues and Insights
p. 3
Icons In the Present Tense: Janet Culbertson’s Moral Imagination
By Margaret Bridget Betz
p. 12
“I Cannot Penetrate the Spirit”: Inge Morath’s Road to Reno (1960)
By Laura Elizabeth Shea
p. 21
Shinoda Tōkō: Ink, Abstraction, and Radical Individualism
By Kimihiko Nakamura
p. 31
“A View of The Open Sky”: Gwen John’s Early Modern Portraits and Interiors
By Colleen Denney
p. 41
D’Arcy Wentworth Thompson’s Generative Influences in Art, Design, and Architecture: From Forces to Forms Edited by Ellen K. Levy and Charissa N. Terranova
Reviewed by Christine Filippone
p. 45
Transnational Feminisms, Transversal Politics and Art: Entanglements and Intersections By Marsha Meskimmon
Reviewed by Julia Skelly
p. 47
Feminist Visual Activism and the Body Edited by Basia Sliwinska
Reviewed by Catherine Dormor
p. 50
Designing a New Tradition: Loïs Mailou Jones and the Aesthetics of Blackness By Rebecca VanDiver
Reviewed by Tiffany E. Barber
p. 52
Kara Walker: A Black Hole Is Everything a Star Longs to Be Edited by Anita Haldemann
Reviewed by Adrienne L. Childs
p. 54
Joan Mitchell Edited by Sarah Roberts and Katy Siegel
Reviewed by Ellen G. Landau
p. 56
Louise Bourgeois: Freud’s Daughter By Philip Larratt-Smith, with an essay by Juliet Mitchell
Reviewed by Nathalie Hager
p. 58
The Heart: Frida Kahlo in Paris By Marc Petitjean, trans. Adriana Hunter; Frida Kahlo: The Complete Paintings Edited by Luis-Martín Lozano; Upper Bohemia: A Memoir By Hayden Herrera
Reviewed by Salomon Grimberg
p. 61
Meret Oppenheim: My Exhibition Edited by Nina Zimmer, Natalie Dupêcher, and Anne Umland with Lee Colón and Nora Lohner
Reviewed by Barbara Stehle
p. 63
Sophie Taeuber-Arp: Living Abstraction Edited by Anne Umland and Walburga Krupp with Charlotte Healy
Reviewed by Gabrielle Rose-Curti
p. 66
Mary of Hungary, Renaissance Patron and Collector: Gender, Art, and Culture Edited by Noelia García Pérez
Reviewed by Catherine B. Scallen
Color Plates