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Fall/Winter 2018
2 Parallel Perspectives
By Joan Marter and Margaret Barlow
Portraits, Issues And Insights
3 My Mother’s Altar: Joan Snyder Paints to Face Herself
By Molly Snyder-Fink
12 Eva Rocha: Corpus of Memory
By Fredrika Jacobs
22 States of Being: Berta R. Golahny’s Landscape of Man
By Abigael MacGibeny
34 Marlow Moss—Transgender and the Double Line
By Jessica Schouela
Reviews
43 Only Human, Judy Dater: 1964 to 2016 By Judy Dater, essays by Marilyn Symmes et al
Reviewed by Ellen G. Landau
45 All the Things I Lost in the Flood: Essays on Pictures, Language and Code By Laurie Anderson
Reviewed by Aliza Edelman
47 Betye Saar: Still Tickin’ Edited by Sara Cochran
Reviewed by Lisa Farrington
48 Alma Thomas By Ian Berry and Lauren Haynes
Reviewed by Ann Albritton
49 Agnes Martin: Pioneer, Painter, Icon By Henry Martin
Reviewed by Nancy G. Heller
51 Lee Lozano: Not Working By Jo Applin
Reviewed by Brenda Mitchell
53 Sarah Charlesworth Edited by Rochelle Steiner
Reviewed by Megan Driscoll
54 Anni Albers: Notebook, 1970–1980 Text by Brenda Danilowitz
Reviewed by Lara Kuykendall
55 Farewell to the Muse: Love, War, and the Women of Surrealism By Whitney Chadwick
Reviewed by Caitlin Davis
57 Radical Women: Latin American Art, 1960– 1985 By Cecilia Fajardo-hill and Andrea Giunta
Reviewed Carol Damian
59 Radical Eroticism: Women, Art, and Sex in the 1960s By Rachel Middleman
Reviewed by Erin Devine
61 Artemisia Gentileschi in a Changing Light Edited by Sheila Barker
Reviewed by Joyce de Vries
63 The Devout Hand: Women, Virtue, and Visual Culture in Early Modern Italy By Patricia Rocco
Reviewed by Amy E. Cymbala