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Spring/Summer 2016
3 Parallel Perspectives
By Joan Marter and Margaret Barlow
4 Optimism And Rage: The Women’s Movement in Art in New York, 1969-1975
By Carey Lovelace
12 Feminism, Exhibitions and Museums in Los Angeles, Then and Now
By Ruth E. Iskin
21 Dorothy Gillespie: Reflections of a Joyful Adventure
By Steve Arbury
29 Frankenthaler Fortunes: On Class, Privilege and the Artist’s Reception
By Anna C. Chave
37 Joan Thorne, Analytic Ecstasy
By Vittorio Colaizzi
46 Doris Salcedo Edited by Julie Rodrigues Widholm and Madeleine Grynsztejn
Reviewed by Aliza Edelman
48 Lalla Essaydi: Crossing Boundaries, Bridging Cultures Edited by Dina Nasser-Khadivi and Ahmed-Chaouki Rafif
Reviewed by Carol Solomon
50 Playing at Home: The House in Contemporary Art By Gill Perry
Art and the Home: Comfort, Alienation and the Everyday By Imogen Racz
Reviewed by Anne Swartz
52 The Silence of the Women: Bamana Mud Cloths By Sarah C. Brett-Smith
Reviewed by Kate Ezra
54 Elisabeth Frink: Catalogue Raisonné of Sculpture 1947-93 Edited by Annette Ratuszniak
Reviewed by Julie L’Enfant
56 Diego Rivera and Frida Kahlo in Detroit Essays by Mark Rosenthal et al.
Frida Kahlo’s Garden Edited by Adriana Zavala, Mia D’Avanza and Joanna L. Groarke
Reviewed by Ellen G. Landau
58 Sophie Taeuber-Arp—Today Is Tomorrow Edited by Thomas Schmutz and Friedrich Meschede
Reviewed by Anja Baumhoff
60 Émilie Charmy Edited by Matthew Affron
Reviewed by Lauren Jimerson
61 Women, Femininity, and Public Space in European Visual Culture, 1789-1914 Edited by Temma Balducci and Heather Belnap Jensen
Reviewed by Heather McPherson
63 Women Artists: The Linda Nochlin Reader Edited by Maura Reilly
Reviewed by Patricia Briggs
65 Artemisia Gentileschi: The Language of Painting By Jesse M. Locker
Reviewed by Marjorie Och
67 Elisabetta Sirani ‘Virtuosa’: Women’s Cultural Production in Early Modern Bologna By Adelina Modesti
Reviewed by Catherine R. Puglisi